White Room

On the one hand there are paintings of Venetian palaces with narrative details, focusing on the grand architecture. This pictorial reality is, however, suffused with warm colours of red and green, giving the pictures a touch of Romanticism. Their plasticity produces the effects of movement and space, their colour mood touches human emotions. In other words, the artist evokes plastically the emotionality of excitement through the imposition of certain colour moods upon existing subject matter.

Other paintings display a twentieth-century method of abstraction of both shapes and senses, where light is the chief sensual coordinator, the common denominator which binds all elements. The spectator is astounded by the seeming weightlessness of the Venetian houses and objects. They seem to float in the atmosphere, but are bound together and made manifest by the use of light.  Our emotions are affected sensually by the interaction of colours.  Moreover,   the decorative and expressive elements are organically intertwined that the two simultaneously contribute to the effect of beauty, so that neither be perceived without the other”